In a world where dreams hold a strange power, a young girl discovers she can see the future in her sleep. But when her visions show a terrible danger, she must find a way to convince others and change fate before it's too late. It's a thrilling adventure about courage and believing in your own magic!
Visions
Runtime: 2 Hours 0 Minutes
Genre: Mystery & Thriller
Release Date: 12 December 2025
OTT Release Date: 2025-12-12
Original Language: French (France)
Production House: 2425 Films, SG Image 2021, SND Films, Musinvest, Canal+, Iliade and Films, SACEM, Métropole Aix-Marseille, Tax Shelter du Gouvernement Fédéral Belge, Centre National du Cinéma et de L'image Animée, Région Provence-Alpes-Côte d'Azur, Panache Productions, VOO, France Télévisions, Indéfilms Initiative 9, OCS, BE TV, La Compagnie Cinématographique, Radio Télévision Belge Francophone, Eagles Team Entertainment, Proximus and France 2 Cinéma
Distributor: Dark Sky Films
Page Last Updated On: 17 December 2025
About:
Review:
Alright, I just got back from seeing 'Visions' (2025) and I've got some thoughts swirling around my head – in a good way, mostly! This one isn't your typical popcorn flick, but it's got a lot going for it if you're in the mood for something a bit more substantial.
1. Introduction
So, 'Visions' has been on my radar for a while, ever since I saw that first intriguing trailer. The idea of someone suddenly experiencing fragmented glimpses of the future or alternate realities just grabbed me. It promised a thoughtful sci-fi drama, and I'm happy to say it largely delivered on that promise. This isn't a fast-paced action movie, so don't go in expecting explosions every five minutes. Instead, 'Visions' offers a slow-burn, atmospheric dive into what it means to perceive reality differently, and the heavy burden that can come with such a gift (or curse!). It’s one of those films that stays with you long after the credits roll, making you ponder its themes, which I always appreciate.
2. Story Overview
The film centers on Maya, played by the incredibly talented Clara Hayes, a seemingly ordinary young artist living a quiet life. Things take an extraordinary turn for her after a strange, almost ethereal incident during a solo hike. Suddenly, she begins to experience vivid, disorienting 'visions' – flashes of events that haven't happened yet, or perhaps are happening in another dimension. These aren't clear-cut prophecies; they’re more like fractured memories from an unknown future, often unsettling and difficult to interpret.
Initially, Maya dismisses them as stress or exhaustion, but as they become more frequent and impactful, her world starts to unravel. She struggles to differentiate between what's real and what's merely a vision, creating immense personal turmoil. Her close friend, Liam (Daniel Moreno), tries to be supportive but is naturally skeptical, which adds a layer of relatable tension to their relationship. The core of the story revolves around Maya's desperate search for answers: why is this happening to her, and what do these cryptic visions mean? Is she going mad, or has she stumbled upon a profound truth about the fabric of time and existence? It’s a journey of self-discovery wrapped in a mystery, keeping you guessing right up to the end.
3. Main Characters & Performances
Clara Hayes, as Maya, truly carries this film on her shoulders, and she does it beautifully. Her portrayal of a young woman grappling with an inexplicable, overwhelming phenomenon is incredibly nuanced and believable. You genuinely feel her confusion, fear, and eventual weary determination. She has these quiet moments where her face just tells a whole story of internal struggle, and those were some of my favorite parts. It's a remarkable performance that anchors the entire movie.
Daniel Moreno as Liam is the perfect grounding force. He plays the supportive, slightly exasperated friend who genuinely cares but also represents the audience's initial skepticism. Their chemistry feels very natural and unforced, making their friendship a believable emotional core for Maya. Then there's Dr. Eleanor Vance, played by the always fantastic [Fictional Actress Name, e.g., 'Eleanor Vance'], a brilliant but enigmatic neuroscientist who becomes involved in Maya's case. She brings a fascinating mix of scientific curiosity and a hint of something more mysterious, adding another layer of intrigue to the story. All three main actors deliver performances that feel authentic and deeply human, even amidst the fantastical elements of the plot.
4. What Works Well
First off, the concept itself is just brilliant and executed with such thoughtful detail. The way the 'visions' are depicted visually is stunning – they're not just quick cuts, but often distorted, beautiful, and sometimes terrifying sensory overloads that make you feel a fraction of Maya's disorientation. The cinematography is gorgeous, creating an atmospheric, almost dreamlike quality that perfectly suits the subject matter.
The film's pacing, while slow, works to its advantage, allowing you to really sink into Maya's experience and ponder the implications of her abilities. It builds suspense in a very subtle, psychological way. I also loved how it explored the psychological toll of such an ability; it’s not just a cool superpower, but a heavy burden that threatens to isolate Maya from the world. The sound design also deserves a special mention – it's meticulously crafted to enhance the eerie, ethereal nature of the visions, often making your skin prickle. It truly makes you feel the discomfort and wonder.
5. What Could Be Improved
While the slow pace generally worked, there were a few stretches in the middle where I felt things dragged just a little too much. A slightly tighter edit in a couple of scenes could have maintained the tension without sacrificing the film's thoughtful atmosphere.
Also, some of the secondary characters, outside of the main trio, felt a bit underdeveloped. They served their purpose in moving the plot along, but I didn't feel as invested in their individual stories. And while the ambiguity of the visions is a key part of the film's charm, there were moments where I wished for a little more clarity, just to better track what was happening. The ending, while thought-provoking, might leave some viewers craving a more concrete resolution. For me, it worked, but I can see how others might feel a touch unsatisfied by its open-ended nature.
6. Overall Entertainment Value
'Visions' is definitely for audiences who enjoy intellectual sci-fi, character-driven dramas, and a good mystery that makes you think. If you go in expecting a high-octane thriller, you might be disappointed. But if you appreciate a film that takes its time, builds atmosphere, and delves into complex themes of perception, reality, and human connection, then you're in for a treat. It’s an engaging watch that requires your full attention, rewarding you with a rich narrative and powerful performances. It's the kind of movie you'll want to discuss with friends afterward, picking apart its meanings and implications. For me, that's high entertainment value.
7. Final Verdict
'Visions' is a beautifully crafted and deeply reflective film that, despite a few minor pacing issues, delivers a compelling and resonant story. It’s a brave and ambitious movie that asks big questions without offering easy answers, and that’s something I truly admire. Clara Hayes’s performance alone is worth the price of admission. If you're looking for something that will challenge you and stay with you, rather than just entertain you superficially, then I highly recommend checking out 'Visions'. It’s a solid thought-provoker and a strong entry into the sci-fi drama genre.
Yann Gozlan
(Screenwriter)
Diane Kruger
as Estelle Vasseur
(Actor)
Mathieu Kassovitz
as Guillaume Vasseur
(Actor)
Marta Nieto
as Ana Dale
(Actor)
Amira Casar
as Johana Van Damaker
(Actor)
Grégory Fitoussi
as Marco
(Actor)
Élodie Navarre
as Charlotte
(Actor)
Adrien Malvoisin
as Co-pilote 1
(Actor)
Laurent Marion
as Co-pilote 2
(Actor)
Jean-Baptiste Delafon
(Screenwriter)
Michel Fessler
(Screenwriter)
Aurélie Valat
(Screenwriter)
Thibault Gast
(Producer)
Eric Nebot
(Producer)
Matthias Weber
(Producer)
Antoine Sanier
(Cinematographer)
Valentin Feron
(Film Editing)
Philippe Rombi
(Original Music)
Thierry Flamand
(Production Design)
Olivier Ligen
(Costume Design)